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Bitches Brew, Miles Davis

August 1969, the psychedelic rock takes over, and Miles Davis seizes everything you hear and it happens your environment, once again, to transform the jazz. The result is Bitches Brew, an album prophetic. Touches of Jimmy Hendrix, James Brown, John Coltrane are mixed, unsophisticated, simple melodies, repeated over and hypnosis.
With this album, Miles is immersed in the electronic stage, which had begun some years earlier and Filles de Kilimanjaro In a Silent Way, two jewels. Surrounded by young musicians (Miles had a nose for talent) as Chick Corea, Jack de Johnette, John McLaughlin, Joe Zawinul, among others, Miles looking for new sounds, new textures. Moves away from the jazz purist to extend their limits, to design original streaks where his companions later-disciples continued, giving rise to two of the most important jazz fusion: Weather Report and Mahavishnu Orchestra. But what is fusion jazz virtuosity, playfulness, Bitches Brew is in aggressive pursuit, narcotic originality.
Fans Miles seemed to forgive him away from more traditional jazz, or heroin, but Miles made up for them, but as a compulsion, as the unbridled excitement that was his own life, seeking new areas where spill insatiable talent.
Up to 75 took the electronic age. But so much psychedelia, both jazz, rock much, much excess led him to silence. Between 75 and 80 did not touch even once the trumpet. My main activity was to take five hundred dollars of cocaine a day and take all the women who managed to take home. He also was addicted to Percodan and Seconal, which accompanied with beer and cognac.
Bitches Brew is the euphoria, delirium creative, liberating key jazz explosion experienced by the Beatles and Pink Floyd in the rock, Ginsberg and Kerouac in the literature, Warhol and Basquiat in the paint. Then came depression closure, after the excess vacuum creative. Disco
gear between traditional jazz and jazz fusion, full of visceral honesty, Bitches Brew invites us to listen to dismantle the organized, to plunge us into the entropic harmony of his improvisations.

Bitches Brew, Miles Davis, 1969, Sony.

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Flashbacks, Timothy Leary


God is a substance, a drug! Gottfried Benn



I still wonder how come you have not made a movie about the life of Timothy Leary. His autobiography like a novel developed in the laboratories of Hollywood romances, political intrigue, persecution (including prison leaking), mystical revelations, betrayals, like a novel training or a rogue, a historical novel or suspense . But it is not a novel. It is not fiction, it is Leary's life.

The European elitism Hofmann grew under which oppose him, since he discovered entheogenic effects of LSD, has any attempt of mass of the substance. Conducted meetings with philosophers, writers, intellectuals and artists. Leary believed the opposite: they had to conduct a cross-psychedelic, a neurological revolution. From the Department of Psychology, Harvard University, the intellectual core of North American Imperialism began Psilocybin Project. Preparing people to jam with people ordinary. Simultaneously, along with Allen Ginsberg came up with the Grand Plan: Starting and training, expansion of consciousness, influential Americans, to gain a groundswell of public opinion to support massive research programs and schools for the smart consumer drugs.
for this book (and sessions with LSD) Harvard medical pass, Protestant parishioners, CIA, prisoners in a penitentiary, Kerouac, Burroughs, Ginsberg, swamis of India, the Beatles, the Rolling Stones, Huxley and to Marilyn Monroe.
Everything seemed to go on wheels, or wings, but as I said earlier, life Leary seems taken from a movie and soon the break occurs. When is a candidate for governor of California, all the Republican forces that dominated the chase to Leary. It becomes, in the words of Nixon the most dangerous man in America . His crusade called the youth to plug with internal tune with the outside, and removed from anything that harms you ( Turn on, tune in, drop out ). I did not want to organize a new religion, but each created their own religion. I thought it was necessary to take and give direction to a peaceful end to all progress made by the evolution human. And as the planes allowed us to get faster from one place to another, the LSD had been discovered to expand consciousness, to reach further neurologically. Which, after all, would grant greater freedom of man and would take away power to the ruling elites. Reason enough to lock him up for seven years to carry two lines of marijuana.
Entertaining, at times exciting and full of humor, but without great depth, Flashbacks is the story of one of the most important advocates of autonomy in the expansion of consciousness.

Flashbacks, an autobiography . Timothy Leary. Alpha Decay, 699 pp.

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A novel pre-hippie and a post-hippie

novels The Dharma Bums and Fear and Loathing in Las Vegas are discussed below as icons of the birth and burial of the hippie ideal ...

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The Dharma Bums, Jack Kerouac


And I promised I would start a new life.
Vagabundearé with a backpack,
follow the pure path.


Jack Kerouac The Dharma Bums is the bible metaphysics of the hippies. Is the starting point for a new way of living, closer to nature, which sees life as an unpredictable journey that alienates the comfortable security bourgeois so few responses gave the youth of the country of consumption. Kerouac and his friends are pre hippies are the ones who were the rebirth of San Francisco. This book reads like beatnicks lived among endless parties where did poetry readings, improvised like jazz, which was drunk with wine and some marijuana, and stripped to dance around fires rounds. But all was not party, the pre hippies were more daring than the hippies. Kerouac, like a wandering monk in the Far East, almost a beggar, life looks like a bridge, build a house on it.
Long before the Beatles visited the Maharishi, Osho long before visit California, Kerouac, driven by his friend Gary Snyder, Buddhism and discover steps you climb a mountain are constant metaphors to the meeting of the Dharma, the Buddhist wheel of truth that every man can become conscious. It was a spiritual path unknown in the West, a door that opened into a commodified knowledge that we see today in gyms Yoga and visits of the Dalai Lama. Kerouac prophesies a revolution backpacks, thousands and even millions of young people with backpacks and climbing the mountains to pray, all Zen Lunatics who go writing poems that emerge from their heads for no reason and being kind and doing strange things that provide insights of eternal freedom to all the world and all living creatures.
This new way of life required a new way of writing, more spontaneously, without being intellectual games. Kerouac wrote this book in 1958, just eleven days.
Dharma Bums refusing to follow the general demand that they consume production and therefore that you work for the privilege of consuming all that shit you do not really need and that always ends in a garbage can week later.
The Dharma Bums, Jack Kerouac, Anagram, 236 pp.

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Fear and Loathing in Las Vegas, Hunter Thompson


Far be it from me to recommend the reader drugs, alcohol, violence and dementia. But I must confess that, without that, I would be nothing. Hunter S.
Thompson

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After came the hippies, living in the Trinity lysergic rock, drugs and sex, were on LSD can buy, in the words of Thompson, Peace and Understanding for three dollars per dose.
Fear and Loathing in Las Vegas , the novel on which Terry Gilliam film with Jonny Deep by Thompson and Benicio del Toro as his lawyer, is the least mystical travelogue and more drugs that I have ever read. Even more excessive than the film, this novel puts an end to a generation beatnicks founded by the North lost to hard to get spiritual answers through drugs. Permanent cripples, failed seekers, who never understood the basic old mystic fallacy of the Acid Culture: the desperate assumption that somebody is responsible for supporting the light there at the end of the tunnel.
Thompson and his lawyer set their minds and their environments in a way of stripping the rotten fallacy of the American dream. They destroy everything the materialistic conservatism in North America has worked to transform into a monument. These are the great secularizing of American myths, both capitalist and hippie dream. We were
drug scandalously past, riding a number of flagrant crazy trying to always to the limit ... Not to demonstrate any important sociological principle, even as a conscious mockery: basically a matter of lifestyle, a sense of what was required and even the duty.

If Kerouac is a prophet of hipppies, Thompson is the antichrist of them. A skeptic who ends his days with the violence of a shot in the head.

Fear and Loathing in Las Vegas , Hunter S. Thompson, Angrama, 207 pp.

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The Road to Eleusis, Wasson, Hofmann, Ruck


Initiates must suffer, feel, experience certain emotions and moods, they were not there to learn anything. Aristotle
the Eleusinian


One afternoon in August 1927, in the Catskills Mountains, Valentina Pavlovna Wasson and Gordon walked hand in the middle of a forest, enjoying their honeymoon, when they noticed a side of the trail had many fungi of different shapes, colors and sizes. Valentina, of Russian origin, with affection, tenderness sacral, recognized and collected. Wasson tried to dissuade her, back, get back here! They are poisonous, they hurt. Valentina laughed. Its festive laughter ring forever in my ears. The next day, Wasson first tested fungi. Overwhelmed by the developer experience and stunned by the negative attitude that he had expressed the previous day in front of his wife, both began to investigate the treatment that was given to fungi in England and Russia.
English writers rarely mentioned and when they did was related to unpleasant aspects, offensive, with the putrefaction, decay and death. Russian writers filled their texts with mushrooms, always in a loving context. Wasson divided the world between cultures mycophyllas (mushroom lovers) and mycophobes. After decades of research on what he called the ethnomycology, discovered that thousands of years, fungi were the subject of religious devotion. His research in the popular cultures of the peoples and travel mycophiles experienced with his wife, led him to establish a relationship between fungi and spiritual knowledge.
in 1955 on a trip to Mexico, to confirm the entry of the sixteenth century English friars on the intake of mushrooms by the native, Wasson participated in a ceremony conducted by a shaman, Maria Sabina. White was the first on record who has participated in one of these ceremonies. His intuition was confirmed. The fungi were considered divine beings. And the ritual was looking for open the floodgates to a relationship with the whole as a living being. If the first journey Wasson had related their intake of fungi with a very spiritual experience on the trip to Mexico Wasson knew the relationship of fungi with the spiritual culture of a people. Immediately made the scope: The religious use of mushrooms in Mexico were the answer to the Eleusinian mysteries celebrated in Greece for nearly two thousand years. Ingestion allows one to look more clearly than our mortal eyes, views that are beyond the horizons of this life, travel through time, forward and backward, to enter other planes of existence, even as they say Indians Mexicans know God.

The book is divided into three parts. In the first, Wasson tells the story that led him to relate the mystery of Eleusis with the ingestion of entheogenic substance. The second part is written by the Swiss chemist Albert Hofmann, and it shows that the Greeks may have derived from a fungus growing on wheat and barley, a substance similar to LSD: ergot, which mycologists called Claviceps purpurea.
Part III, professor of Greek ethnobotany, Carl Ruck, try to reconfigure, from an overwhelming number of citations, which are made within the temple at Eleusis. As if revealing a secret that had resisted all the forces of history, shows step by step the mystery jealously guarded Plato, Aristotle, Socrates, Pindar, Sophocles, Aristophanes, and all those who traveled to Eleusis.
Each year, were initiated into the mysteries, thousands of people of all classes, emperors and prostitutes, slaves and free men. Only two conditions are required (who spoke Greek and had not committed a murder) to start the preliminary rites that lasted over half a year. Were the lesser mysteries and were held in Athens. Then undertook the pilgrimage to Eleusis, for the first and only time, to see the sacred. It was a 20-kilometer walk began crossing a bridge too narrow for a carriage and take you out to your sides masked men cursed the Pilgrims. Eleusis was a sacred area for its special affinity with the realm of the dead. The procession symbolically passed the border between two worlds: a momentous journey fraught with difficulties . After touring the Sacred Way came to Telesterion , room or initiation of Major Mysteries, where something is seen. That was all I could say about the mysteries, the rest was a secret or simply inexpressible (in the book never sets out the reasons which led the Greeks to keep the secret of the Eleusinian mysteries). The Telesterion was too small to allow a play, and the Greeks could hardly have been deceived by a theatrical trick. also had physical symptoms that accompany the visions: fear and trembling of the limbs, dizziness, nausea and cold sweat. After that ensuing vision.
Research by Ruck led him to conclude that the Greeks knew intoxicants other than alcohol. In fact had no word for alcohol, nor knew distill. As loud as could be obtained by fermentation natural wine was 14 degrees. However, the Greeks used to drink their wine mixed with water. There were so strong that even wines to be drunk without risk to life, be diluted with twenty parts of water for each wine. And yet could produce physical symptoms: insomnia, hallucinations, dizziness, or hilarity. The reason for this is that in ancient wine in almost all primitive peoples, did not contain alcohol as an intoxicant, but usually it was an infusion of plant toxins in liquid wines.
Designed for religious ceremonies, like the mysteries of Eleusis, and later used profanity, entheogenic substances were not alien to Greek culture. A New Paradigm, Christianity, eventually removing these pagan practices. Faith was going to be the exclusive vehicle of mystical experiences. After so revealing
research, stay around a few questions: Was it a revelation that led Eleusinian Plato to conceive of a world of ideas, where everything was perfect, a world of essences that are revealed in opposition to it by imperfect realizations? Is our Western culture, the daughter of Hellenic civilization, the result of a culture unfamiliar with entheogens? Finally a recommendation
Wasson: If you have the slightest doubt do not taste the mushrooms.

The Road to Eleusis, A Solution to the Enigma of the Mysteries, Wasson, Hofmann, Ruck. Mexico, Fondo de Cultura Economica, 1995.

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Entheogens: A proper etymon


All terms coined to describe the Mexican sacred drugs, (the peyote, the teonanacatl, and ololiuqui with LSD which keeps a very narrow chemical-spiritual relationship and mode of action) are inadequate. Hallucinogen , which comes from 'freak' is associated with being crazy or wander. Humphry Osmond coined the word psychedelic ('revealing of the mind') avoid using the prefix 'psycho' to avoid linking him to the term psychotic. However, these precautions were insufficient. On the other hand, the abuse that the pop culture of the seventies made that word keeps us from holding that a shaman have psychedelic experiences . Aldous Huxley proposed use phanerothyme ('manifesting the soul') to talk about substances such as mescaline:

To make this trivial world sublime Take half a gram of
fanerotime. Entheogens

the term has been more accepted by those who study these drugs. Entheos is a word that was used to describe the state in which one finds when God has entered your body . Applied to prophetic trances, erotic passion and artistic creation, as well as those religious rites in which mystical states were experienced through substances which were transustanciales with the deity. The root gene denotes the action of becoming. In a strict sense is a term only for those drugs that produce views such as religious or shamanic rites.

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The Tarahumara, Antonin Artaud


Modern life lags behind something and not the Tarahumara Indians over the world today.

I wait a couple of days after each electroshock for dialogue with Artaud makes any sense. Your pain is central, it plays in your body, in each of its cells. Doctors try to be removed by destroying the connections of his mind that, against all odds in science, he still manages brilliantly expressed through words. We are in the clinic
Ivry, is a cold February 4, 1948, and he writes Tutuguri , the last of the texts included in this book about the Tarahumara, started twelve years earlier in Mexico. Just one more month, and only 51, will die. We often talk
about the alchemy of senseless pain you live in Europe. He tells me that at first believed that Surrealism was the solution for polluted continent rationalism. But being too rigid, his political exile, revealed the precariousness of the movement. Egyptian mythology, Tibetan, Kabbalah and the Celts were other veins through which sought the essence of self.
In 1936 visited Mexico and lived among the Tarahumara Indians, where there is more rugged Sierra Madre. He said he expected of them without betraying the origin of man, waiting know a truth that they had retained . He found a people whose history can be read on the geography of the mountains, whose rites played a transparent communication with God is reached through the path of Ciguri .
The Ciguri is the ritual of a dance and the body of a plant, peyote. With this rite the Tarahumara shed their appearance until they reveal their true selves. Artaud participated in this ritual.
With him, the man is alone, I said, desperately and playing music from his skeleton, without father, mother, family, love, god, or society. And you walk the equinox to the solstice, holding yourself your own humanity. Peyote
continues, leads to self to its authentic sources. When you leave a similar vision status can not be confused again, as before, lies with the truth.
Perhaps our civilization could overcome their frustration if all drink the Ciguri, comment.
these priests say Ciguri , she replies, that peyote is not given to everyone and that accessing it is to be predestined. Sometimes
approach cities, he tells me, to see how men are to be wrong. I asked how living in the cities, do not handle money. I said to beg, and if given not say thanks. Because for them to give those who have nothing is not even a duty, Reciprocity is a law of physics that has betrayed the White World.
In the pages of this book asked me to read, perhaps his most metaphysical, a hyper-blend of the environment and the very existence, to poetry and Christian delusions, obsessive images of trying to shed, on his journey towards a knowledge primitive.

The Tarahumara, Antonin Artaud. Tusquets, 1985, 184 pp.

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LSD, Albert Hofmann

The possibility of supporting a substance meditation aimed at the mystical experience of reality, both higher and deeper, I see the true importance of LSD. An application This aspect corresponds completely with the nature and type of action of LSD as a sacred drug. Imagine

many men without noticing, walking on keys, many keys you do not see the ground. Only one of them serves to eliminate the boundary between self and matter. Only one man is able to find that key. The subtitle of this book (Louis Pasteur) said: In the fields of observation chance favors not only the prepared mind . Hofmann was the prepared mind. Discovered LSD as a shaman exploring the forest, thousands of years, discovered the magical properties of a fungus. In our Western civilization, only a man devoted to science, could recover the lost entheogen, that he used the Greek culture (the basis of our civilization) in the Eleusinian mysteries, until Christianity forbade it. However, this finding resulted in adverse consequences. Such as a knife can save someone, in the hands of a doctor, or take his life in the hands of a criminal, LSD showed two faces. Its use soon exceeded medical research, to be used as a stimulant. This indiscriminate use was soon serious incidents (suicides, accidents, crime). LSD, like the rest of the Mexican sacred drugs, (the peyote, the teonanacatl, and ololiuqui, with the LSD keeps a very narrow chemical-spiritual relationship and mode of action) can be used as an entheogen (developer of inner divinity) or as a narcotic (etymologically, that makes stupid ). Hofmann from the start he was responsible for the danger involved play with a substance that affects the spiritual center of personality.
few months ago I, with two friends, nature sanctuary, for a session with LSD. We prepared days in advance. We had antidotes (milk and oranges) in case it was necessary to cut a bad trip. It was not necessary. As he began the effect we were together, laughing at anything, but when the effect ended up destroying the time, everyone was walking alone. Then began the journey inward and outward, dissipating the ego that led us minutes before the conversation. The words are too coarse a filter that prevents preverbal immersed in that state. Sometimes he remembered feeling that he had not since childhood. I realized that I wrapped mythological relationship. I was able to see how the thin clouds were sometimes crossed the sky. And how the plants they ate. Hofmann
This book gives us many tales of LSD trips of great personalities of the era, including his first experience, unexpected and fearful about the outcome uncertain. Travel with various entheogens, along with Gordon Wasson and Maria Sabina (which found that psilocybin pills Hofmann had synthesized by the spirit of teonanacatl). Travel to mystical enlightenment, of emptiness and anguish asphyxiating; trips described by poets, psychologists, artists, writers, philosophers, hippies. Hofmann
exposes these experiences, perhaps to say that only the prepared mind in , LSD possible experience growing up feeling that the self and the creation as a single unit.

LSD, the history of LSD, Albert Hofmann, Gedisa, 227 pp.

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Opio, Jean Cocteau


Attention: it is advisable to read this book together with a joint. So you can read what the hand can not write. Mauricio
Wacquez (translation and foreword to the book)

was in my teens when I thought that Cortázar was the best storyteller who had walked this planet, that I first learned of this book. According to him, reading Opium had completely changed their view of literature and had led to understand surrealism. For months I searched Opio. Not find it. Over time I became increasingly difficult to read Cortázar, until completely forgot Cocteau's book. Many years later I saw him on a shelf. By then I had tried opium and my interest was not Cortazarian but personal. expecting a book full of dreams, visions dreamlike, surreal imagery. Although I knew that opium, more than a trip like LSD, is a wakeful state of hibernation, expect to find a literary version of Dali. None of that is in this book. Neither delusions of Burroughs in Naked 's Feast. But rather the unfolding of a critical consciousness that observes their addiction. The book has a subtitle: Diary of a detox . As the history of a Scientific, Cocteau has its own blog, but their results are not statistics, but poetry.
For Cocteau detoxification is a slow wound and smoking a perfect masterpiece, formless and judges. Therefore tell a smoker in constant euphoria that degrades is like saying the marble that has been damaged by Michelangelo, the paper that has been soiled by Shakespeare, the silence has been broken by Bach. Cocteau
never betrays the opium: I owe my hours perfect, he says, and laments that instead of improving detoxification, the medicine does not try to turn the opium harmless.
Composed fragments, some notable, other expendable, Cocteau exhibits less vital literary surrealism. Opium, like childhood, allows one to become what he wants.
Opium clears the mind. Never makes one spiritual. Expands the spirit. Not acute.
But his attention is not set in that magical power, but in the cruel battle, the drama of detoxification. Do we wrote this book because it dominated the opium, or opium dominated by writing this book?
advise the patient that he had abstained for a week to sink the head on one arm, stick your ear to the arm, and wait. Searing, riots, sweatshop, armies to flight, flood, the ear hears everything an apocalypse of the starry night the human body.
It is noted in the process with clarity addicted. Warns small traps that brought the detoxification and is able to record these traps to get rid of them. At the end says he is cured, but asks: " smoke again? The answer is almost a declaration of love, waiting there, who is addicted to reading this book.

Opio, Jean Cocteau. Editorial Sudamericana, 2002, 201 pages.